Review of John Cowper Powys' Autobiography by V.S.Pritchett.The New Statesman and Nation, October 20, 1934:553-54.
'The Glastonbury Monster'

    'It is a criminal blunder of our maturer years,' writes Mr Powys at the beginning of this autobiography, 'that we so tamely and without frantic and habitual struggles to retain it, allow the ecstasy of the unbounded to slip away out of our lives.'
    Mr Powys himself retains it both frantically and habitually. His intimations of boundlessness began early at his father's Derbyshire vicarage.There was a grassy hill which gave him a 'dim feeling of immensity'; it became 'synonymous with sublimity.'Oddly enough, a pair of boots and their thick souls conveyed 'my father's intensity of earth-feeling.' 'An oceanic in-pouring of this unbounded' was occassioned by his father's axe. It made, he adds, in what might be called the cosmic humourlessness of this book, 'An even greater dent in my mind.'
    Mr Powys' romanticism and egolatry, which he begs us not to confuse with Rousseau's; there is no danger of that -- have their real rival in the amateur-philosophical writings of another celebrated transatlantic lecturer, Count Keyserling.By floodlighting every episode with symbolism, some dramatic effects are obtained, particularly in the uncovering of new kinds of vice. At Sherborne:
    I tried to overcome the most formidable of human passion-- anger and desire-- by the abandonment  of the vice of pure gluttony. In that one night I ravenlously devoured a whole
sponge cake.
    Against the crime of eating sponge cake we must place the rhythmic significance of telegraph wires seen rising and falling from a moving train. His meditations upon sadism tell him that 'from an intense absorption over a long period of time there must emanate magnetic vibrations of some sort permeating the surrounding air and leaving an evil impress that only gradually dies away.'
    These quaotations may indicate the embarrassment of the task of reviewing Mr Powys' book. One has the sensation of entering some Turkish bath of the psyche, and of there seeing Mr Powys naked in the hottest room of the subjective process. He sits steaming confusedly away, an ascetic-looking figure for all his verbal sensuality, declaiming theatrically and monotonously among the vapours and secretions. He is determined to sweat every drop out of his system.
    Whether Mr Powys' naked and shameless candour is as candid as it sounds is doubtful. He is naked yet hidden in the vapour of his own confession. He seems to me to have wrapped himself in sensationalism. Thus, the objectives facts of his life in the 650 closely printed pages of this book,are few.One hears a little of the other members of his distinguished family, one gathers a portrait here and there from Sherborne, and has a guess or two at what happened at Cambridge and later at Brighton, where his caree as a lecturer began.
    There is a gentleman who had had sunstroke in Singapore and who wrote poetry. He said, 'Powys, we must propitiate magnates.' There is a working man who introduced the sex, symbolism and magic-obsessed lecturer with his 'impersonal lust,' to the 'chaste whores' of Liverpool. There are brief glimpses of America. The rest is boundlessness, wordy tunnellings down the long arches of the solitary ego.
    Mr Powys' case will no doubt be clear to psychologists; this, incidentally, seems to irritate him for it puts a stop to boundlessness. His book is often a rich and fascinating document. A great great part of his life he was obsessed with what he calls sadistic erotic perversions. Normal sexual phenomena revotled him. He dreamed of sylph-like, idealised girls. He developed a passion fpr erotic literature and was even able to get sexual stimulus from the blameless Ally Sloper's Weekly. Naturally he hated women. He even went to the extent of hating trees and plants for their feminie parts. He feared he might become a woman. He loathed to see a woman holding a handkerchief in her hand.
    There is a secret life held back in everyone by the sluices of shame, and Mr Powys' public confession may bring private release to others. The very secrecy of that life, stagnant behind its shames, breeds those perversions, those fears and obsessions which, in this book, make Mr Powys give a disproportionate value to irrelevant matter. They cut a man off from his fellows. They have cut Mr Powys off.
    So that, fishing in the Glastonbury gloom of consciousness, he feels the line jerk, hauls away and brings up a creature whose length he immediately exaggerates. It does not occur to him that others are drily comparing catches with him; and it never enters his head when he cries-- borrowing the manner of a de Quincey of a Hazlitt-- 'You will hardly believe it, reader, when I tell you...' that his Glastonbury Monster seems to other fisherman rather less than a sprat.
    With poetic intuitions--yet no poet; emulator of prose styles, but no stylist; with an ability to draw character, but no novelist; a priest washing his sins in rhetoric; a mystic only too much in tune with the indefnite; an actor, but fatally insisting upon a one-man play; a man as easily bogged in the sublime as in the ridiculous, his self-dramatisations collapsing at a touch into bathos-- with all his itntuitive and imaginative gifts, Mr Powys ends by making turgid what he has the ability to make clear. He rejoices in the revolt against reason:
    The people who use this term against me are exactly the type of persons who all the way down history have
    been the enemies against everything I value most in life. They hate, distrust and despise imagination....
    Personally for myself I would define this vein of 'charlatanism' in me which you are so afraid of as a clown-
    element, or the comic-actor element, in the esence of all psychic truth. Without this element-- which is the
    perilous drop of the aboriginal berry-juice of old Saturn's blood-- the pursuit of truth would resemble some-
    thing between a four hours' speech by Mr Gladstone and a four weeks' visit to some scientific retreat, where
    they investigate dogs' saliva through slits in their necks.
 
    Excellent intoxication, but it is verbal and not imaginative. One can only answer Mr Powys out of his own mouth:
    ...it is the element of self-love, in totally irrelevant happenings, that accounts for the indescribale tediousness of many autobiographies.